In the movie, there's a very realistic and relatable portrayal of conflicts that exist within families when a son/daughter wishes to come out of the closet - Badhaai Do shows how it is considered as some sort of a 'disease'. Instead, the film shows the real and actual evils they fight every day, not just in the society but also at home.Īnother element I really liked about the film is that Badhaai Do also explores the dynamics of families of homosexual people, especially those living in small towns, and shows how they deal with this deep-rooted stigma. It's doesn't get preachy or tell homosexual people to turn rebels. That's where Badhaai Do really works for me. There's an ease and comfort with which Rajkummar and Bhumi own and portray these parts onscreen, but even while staying true to their real identity, they continue to struggle to be seen as 'normal people' in the society. While Shardul, a police officer, and Sumi, a PE teacher, agree to this arrangement - referred to as a lavender marriage - to shut their families up and get rid of the constant pressure to get married, the journeys they take on with their respective partners eventually lead to several realisations about their realities.ĭirector Harshvardhan Kulkarni deals with the subject in an extremely mature and sensitive manner, and in his attempt to sound witty or add punchlines, at no point does he trivialise the ordeal homosexual people go through. The film shows how an individual's sexual orientation defines and decides their fate in the society. So, it comes as no surprise to see Badhaai Do also resort to a lighter tone while highlighting an important issue.īadhaai Do revolves around the story of Shardul ( Rajkummar Rao) and Sumi ( Bhumi Pednekar), who are closeted members of the LGBTQ+ community, living together as roommates after they agree to get into a 'marriage of convenience'. And when it comes to touching upon a sensitive topic such as homosexuality, films like Shubh Mangal Zyada Saavdhan and Dostana have relied on this concept and succeeded in sending out positive messages.
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Bollywood's fixation with humour to narrate stories on taboo subjects seems to be working pretty well so far.